Hopi hopi

Moderator: The Killer Krew
The centerpiece of Bury the Light is the mammothly epic “The Year of the Blizzard,” which spins and contorts through several incarnations and traverses a series of moods, all impressive. It contains Aymar’s most impassioned vocals to date and that includes his great performance on the Control Denied album. He really steps up his already considerable game on this one and manages to sound like Dickinson and Halford at different points while always maintaining his own identity. “Blizzard” also features a plethora of interesting guitar choices from Johnsen. Some of his riffs remind of classic The Who, some are straight up thrash, and let us not forget his seemingly endless collection of amazingly slippery, fluid solos. This song alone pretty much justifies buying the album.
Olen 100% samaa mieltä. Tälläistä omistautumista laulun esittämiselle kuulee nykyään todella harvoin. Bruce Dickinson on siinä mielessä hyvä vertailukohta, että sanojen laulaminen/lausuminen ja tarinan kertominen on kummallakin loistavasti hallussa. Aymarin tulkinta hehkuu nyansseja ja tunnetta, todellista sydänverellä laulamista, herran pieksut.However, if there is one steadying constant presence, it is the vocals of Tim Aymar, passionate, living on the edge, giving his all in every single song.
Ei Mape ole arvioinut Imperiumiin kuin Be Gonen. Kaartinen The Longest Nightin ja mie ed. EP:n, ennen tätä uutta.Jyyd wrote:Joten ei minun kohdalla mapen arviot väärään osuneet noiden aiempien levyjen kohdalla, ensikuuntelulla tämäkin lätty noudattelee noita samoja tunnusmerkkejä.